Monday, 29 August 2022

Bridge course:The Act :Dryden-On Dramatick Poesy

•Do you see any difference between Aristotle's definition of Tragedy and Dryden's definition of play ? 

■Aristotle's Tragedy 


■Definition of Tragedy
  • Definition of Tragedy is given by Aristotle. 
  • Aristotle was a Greek philosopher and scientist .
  • At eighteen,he joined Plato’s Academy in Athens and remained there until the age of thirty-seven.
 
●Serious

Tragedy relates the "Sad episodes "of life. The chief mood of tragedy is sadness. In this way tragedy reflects seriousness. 

●Complete Action 

Next, Aristotle says that the action of tragedy must be complete.In other words, it should have a Beginning, Middle and End.

●Magnitude 

Magnitude means size or length. According to Aristotle Tragedy should neither be too long nor too short. But it should be governed by aesthetic pleasure. 

●Embellished of Language 

According to Aristotle, the language of tragedy is quite different from the language of the layman .

●Catharsis 

The aim of tragedy, Aristotle writes, is to bring about a "Catharsis "of the spectators-to arouse in them sensations of pity and fear, and to purge them of these emotions so that they leave the theater feeling cleansed and uplifted, with a heightened understanding of the ways of gods and men. This Catharsis is brought about by witnessing some disastrous and moving change in the fortunes of the drama's protagonist. 

●Formative elements of Tragedy 

Aristotle gives six parts of tragedy 
  1. Plot 
  2. Character 
  3. Songs 
  4. Diction 
  5. Thought 
  6. Spectacle 

■Definition of Aristotle’s Tragedy 
        
   Tragedy, then, is an imitation of an action that is a serious, complete and of a certain magnitude; in the language embellished with each kind of artistic ornament, the several kinds being found in separate parts of the play: in the form of action, not of narrative; through pity and fear affecting the proper purgation- catharsis of these and similar emotions.”

●Tragedy is the "Imitation of an action "(mimesis)According to "the law of probability or necessity."Aristotle indicates that the medium of tragedy is drama, not narrative;tragedy"shows" rather than "tells ". 

■ELABORATING THE DEFINITION
        
      We can distribute the definition of play by Aristotle in parts. Each separating line of definition has its meaning in separation. The definition firstly focuses on the representation (imitation) of life, but life has no perfection, so the playwright has to be selective in representation. In the play, the playwright is representing a fragment of one's life’s fragment piece.

■Dryden's play 

■Definition of play by John Dryden 
  • Definition of play is given by John Dryden. 
  • John Dryden was an English poet,literary critic,translator, and playwright. 
●Selected works 
  • An Essay of Dramatick Poesie,1668.
  • The Indian Emperor (tragedy),1665.
  • Secret love or The Maiden Queen, 1667.
●Dryden defines Drama as:
   "Just a lively image of human nature, representing its passions and humors,and the changes of fortune to which it is subject, for the delight and instruction of mankind. "

●According to the definition, drama is an 'Image 'of 'human nature ' , and the image is 'just' and 'lively' .By using the word 'just Dryden seems to imply that literature imitates human actions. For Dryden, 'poetic imitation' is different from an exact. Servile copy of reality, for the imitation is not only 'just';It is also 'lively '.

☆Lisidieus expresses his views about drama as "a just and lively image of Human Nature". And then each character expresses his views about Drama and they compare French Drama and English Drama and discuss the advantages and disadvantages of French and English Drama. 

☆The debate goes on about the comparison between ancient writers and modern writers. They also discuss the importance of "Unity in French Drama".So far as the unities of Time, Place and Action are concerned French Drama was closer to classical notions of Drama. 
So, now I conclude, Aristotle says that tragedy is an imitation of an action . He believes that there is natural pleasure in imitation whereas Dryden defines play as just and lively image of human nature representing. It is passionate and humorous and the change of fortune to which it is subject for the devite and instructions of mankind .

•What would be your preference so far as poetic or prosaic dialogues are concerned in the play?

I prefer poetic dialogues rather than prosaic in the play. Poetic may be rhyme verse or blank verse also.
  • According to Neander:- Use of poetic makes the Language natural.
  • A ccording to Crites:- Rhyme helps the poet to control his fancy, but artistic control is the metter of judgementI .
Use of poetic language helps the judgement and makes it easier. Due to poetic, poet can perform "delight & pleasure" very well. Poetic language gives the path of an imagination. Interpretation of the poem can be different according to the various peoples. Each & every person can read the poem with a different way nd different aspects.So we can't says that interpretation of the poem is must be one.Blank verse is a Poetic Prose & it's only fit for comedy. It means we find Poetic Prose in comedy and through the use of poetic language ., audience must get an entertainment.So I prefer Poetic dialogues more than prosaic.




Friday, 26 August 2022

SR:Post-truth

I am writing in this blog about the concept, definition or examples of Post-truth. 

Definition of Post-truth 

The word ‘post-truth’ sounds so pretentious that the Oxford English Dictionary gave it the honour of being 2016 word of the year. Its dictionary definition reads: “relating to or denoting circumstances in which objective facts are less influential in shaping public opinion than appeals to emotion and personal belief.” 



The Concept of Post-truth 

Post-truth is a term that refers to the 21st century widespread documentation of and concern about disputes over public truth claims. The term's academic development refers to the theories and research that explain the historically specific causes and the effects of the phenomenon.

Some scholars argue that post-truth  has similarities with past moral, epistemic and political debates about relativism,postmodernity, and dishonesty in politics, while others insist that post-truth is specifically concerned with 21st century communication technologies and cultural practices. 

Examples of  Post-truth 

The year of 2016 has been declared by some as “the worst year like, ever.” The traditionally delicate readers of the Guardian newspaper wept for weeks about Brexit. When countless refugees from Syria, Afghanistan and Sudan were risking their lives to get to Europe, remain voters (who now have their exclusive dating app) wanted the world’s consolation for having to get a visa to visit their summer house in Valencia. White liberal academics in the US have spun a good length of yarn about how much they now are suffering from “a climate of anti-intellectualism” following Donald Trump’s election, as if the true victims of Trump’s presidency will be the universities and not the projects. 2016 has not only given the literati a much coveted excuse to claim victimhood, it has also given them a catchy little word to sound smart while doing so.

Post truth crowned Oxford word of year 2016 connotes the use of emotional arguments and opinions for the purpose of winning a viewpoint.

This award clearly signals the prevailing political scenario around the globe where truth is fading importance in the political arena

Be it Brexit , American presidential elections or indoctrination techniques of terrorists, support is being garnered by purposely hiding or delaying the factual truth. Stress is more on decorated opinions forcefully being imposed upon by the force of majority. Social media is flooded with information and yet minning the truth is hard a nut to crack. As various surveys indicate that politicians are concerned with mere control of power , post truth is suitable tool for them. But what's really unfortunate is our own apathy towards greater cause of humanity. Politicians are feeding upon our own fears and imphasizing more on who our enemies are ,thus dividing us for pitty reasons of ethical religious or jingoistic interests, which we ourselves support.Net loss is that of humanity.

Alas the voice of downtrodden is weak The hope is not dead yet. Human rights organizations and civil society at regional national and international levels are striving hard.

We saw many people welcoming and fighting for the rights of refugees during recent crisis in Europe. Many tried to work for solutions for those fled persecution or inhumane conditions at home.

Hope is still alive and may the truth shall ultimately triumph ….

The post-truth history of Gandhi’s ‘racism’

Gandhi’s Constructive Programme aimed at, among other things, Hindu-Muslim unity in a caste-free and secular (where religion is not allowed to manifest in the public sphere) socialist society called “Swaraj”. What is preventing the absorption of Gandhi by the Dalit movement is a series of post-truth discourses by some intellectuals claiming to speak on behalf of Dalits. Such a post-truth reading of Gandhian archives is trying to project Gandhi as a propagator of “Jati vyavasta” and is making the Dalit movement suspicious of Gandhi’s strong affinity with the Dalits.

Monday, 22 August 2022

A Tale Of Tub


The regressive rituals and progressive rational thoughts
  
     A society is considered regressive when it impedes human sovereignty and egalitarian impetus othe regressive rituals and progressive rational thoughts

  A society is considered regressive when it impedes human sovereignty and egalitarian impetus of society.

An Individual is Sovereign when he/she can govern his/her thoughts and emotions without being influenced by social or religious manipulations. Such an independent thought process is developed through reason and scientific temper. A progressive society ‘Enheartens citizens to break negative shackles of community’, hence encouraging positive discretion.

A society undergoes regression when it is being guided by assumptions of presumptuous people who fuel hate and discourage progressive reasoning. Restrictive parameters of a society hinder freedom, which in-turn affects progressive change.

When a community cannot encourage egalitarian aspects it creates distrust among individuals which later affects the perspective of an individual hence sliding his thoughts towards negative parameters.Some negative aspects which affect an individual’s perspective are:Politics: which are operated by favouritism and uses unreasonable tactics such as caste, religious and cultural divisions.

Women: who are treated unequally and when their personal choices are guided by the needs of men among ‘society’!Media: media houses create chaos in the mind of citizens through manipulative approaches. They have turned themselves into political mouthpieces by playing the narrowest social role which ignores core issues.Education acts as a tool to fetch a job rather than creating insight for an individual to be independent of regressive influences.Judicial processes which are delayed when lacunae of the judiciary are exploited by people in power. Which in-turn dents trust over the judicial system.Educated scholars/specialists are least preferred for social opinions as they endure the least respect thus being preceded by entertainers (movie stars).Rampant corruption practices due to unmindful policymakers.Where resources are wasted over futile appeasement practices rather than developing hospital or educational infrastructures which lack basic amenities as well as research facilities.When the above negative trends are observed individuals lose motivation towards progression in an unjust society. The fact that people are insouciant and justify these negative aspects without questioning is a disheartening attribute of society. These tendencies of society affect the psyche of a person who contributes towards an ideal social order.


Likewise, a hardworking administrator loses his zeal when his policy implementation proves unsustainable after his transfer from the post, or punitive actions for intervening in political malpractices, these will hinder his enthusiasm towards progress and make him act neutral or regressive after witnessing shrewd and corrupt officials gaining better benefits.Additionally, an individual’s approach towards equality among humans is affected when his progress is fettered by religious and caste-based (race, class) partisanship, where he experiences setbacks and observes people gaining benefits through favouritism and introspects his progressive thoughts which eventually revert and discourage balanced approach of others too.


Besides, administrators or powerful people are at advantage and gain benefits over commoners, which drives people towards a hierarchical race to gain power which ruins an inclusive structure of society. It is a paradox as core values of any constitution or religious scripture emphasise equality!Human potential and creativity are severely affected in a regressive society; it not only hinders individual progress, but it impedes the nation's growth as a whole.Humans are the only species who are equipped with a conscience that can evolve positively or deter with each experience they come across in their lives.

Religious and political societies should work combinedly towards the progress of humanity, as these both are the impediments for human freedom.

The first type of progressivism has its philosophical underpinnings in 18th Century, Enlightenment-era thought. It believes that politics is a battle of ideas. It further believes that through the use of reason and the exchange of ideas, human society will tend to improve itself through scientific and technological innovation. Hence, it believes in progress, and for this reason lays claim to the term “progressive”. Because of its belief and optimism in the faculties of human reason, I refer to this philosophy as rational progressivism.


Rational progressivism tends to be trusting, within reason, of status quo political and economic institutions — generally including the institution of capitalism. It tends to trust these institutions because it believes they are a manifestation of progress made by previous generations. However, unlike conservatism, it also sees these institutions as continuing works in progress, subject to inefficiencies because of distorted or poorly-designed incentives, poorly-informed or misinformed participants, and competition from ‘irrational’ worldviews like religion. It also recognizes that certain persons who stand to benefit from preserving the status quo, particularly elected officials but also corporations, may seek to block this progress to protect their own interests. The project of rational progressivism, then, is to propagate good ideas and to convert them, through a wide and aggressive array of democratic means, into public policy.


The second type of progressivism is what I call radical progressivism. It represents, indeed, a much more radical and comprehensive critique of the status quo, which it tends to see as intrinsically corrupt. Its philosophical tradition originates in 19th Century thought — and specifically, owes a great deal to the Marxist critique of capitalism and the Marxist theory of social change. It also finds inspiration in both the radical movement of the 1960s and the labour and social movements of late 19th and early 20th centuries (from which it borrows the label “progressive”).


Radical progressivism is more clearly distinguishable from “conventional” liberalism and would generally be associated with the “far left” — although on a handful of issues such as free trade, it may find common cause with the “radical” right. Radical progressivism embraces the tradition of populism and frequently adopts a discourse of the virtuous commoner organising against the corrupt elite. It is much more willing to make normative claims than rational progressivism, and tends to view conservatism as immoral and contemporary American liberalism as amoral (at best). Its project is not reform but transformation.


Rational progressives sometimes regard radical progressives as impractical, self-righteous, shrill, demagogic, naïve and/or anti-intellectual. Radical progressives, in turn, regard rational progressives as impure, corrupt (or corruptible), selfish, complacent, elitist, and too quick to compromise.


Try to connect your understanding and interpretation of such religious practices with Swift's work. 

Jonathan Swift was born in Dublin, Ireland, on November 30, 1667. The son of an English lawyer, he grew up there in the care of his uncle before attending Trinity College at the age of fourteen, where he stayed for seven years, graduating in 1688. In that year, he became the secretary for Sir William Temple, an English politician and member of the Whig party. In 1694, he took religious orders in the Church of Ireland and then spent a year as a country parson. He then spent further time in the service of Temple before returning to Ireland to become the chaplain of the Earl of Berkeley. Meanwhile, he had begun to write satires on the political and religious corruption surrounding him, working on A Tale of a Tub, which supports the position of the Anglican Church against its critics on the left and the right, and The Battle of the Books, which argues for the supremacy of the classics against modern thought and literature. He also wrote a number of political pamphlets in favour of the Whig party. In 1709 he went to London to campaign for the Irish church but was unsuccessful. After some conflicts with the Whig party, mostly because of Swift’s strong allegiance to the church, he became a member of the more conservative Tory party in 1710.


Unfortunately for Swift, the Tory government fell out of power in 1714 and Swift, despite his fame for his writings, fell out of favour. Swift, who had been hoping to be assigned a position in the Church of England, instead returned to Dublin. During his brief time in England, Swift had become friends with writers such as Alexander Pope, and during a meeting of their literary club, the Martinus Scriblerus Club, they decided to write satires of modern learning. The “third voyage” described in his best-known work, Gulliver’s Travels, is assembled from the work Swift did during this time. However, the final work was not completed until 1726, and the narrative of the third voyage was actually the last one completed. After his return to Ireland, Swift became a staunch supporter of the Irish against English attempts to weaken their economy and political power, writing pamphlets such as the satirical A Modest Proposal, in which he suggests that the Irish problems of famine and overpopulation could be easily solved by having the babies of poor Irish subjects sold as delicacies to feed the rich.


Swift's Ireland was a country that had been effectively controlled by England for nearly 500 years. The Stuarts had established a Protestant governing aristocracy amidst the country's relatively poor Catholic population. Denied union with England in 1707 (when Scotland was granted it), Ireland continued to suffer under English trade restrictions and found the authority of its own Parliament in Dublin severely limited. Swift, though born a member of Ireland's colonial ruling class, came to be known as one of the greatest of Irish patriots. He, however, considered himself more English than Irish, and his loyalty to Ireland was often ambivalent in spite of his staunch support for certain Irish causes. The complicated nature of his own relationship with England may have left him particularly sympathetic to the injustices and exploitation Ireland suffered at the hands of its more powerful neighbour.


Although Swift's disgust with the state of the nation continued to increase, A Modest Proposal was the last of his essays about Ireland. Swift wrote mostly poetry in the later years of his life, and he died in 1745.


Jonathan Swift Novels

A Tale of a Tub

Published 1704

Gulliver’s Travels

Published 1726

A Modest Proposal

Published 1729


Jonathan Swift Essay Collections

“An Argument Against Abolishing Christianity”

Published 1712

  

 

Sunday, 21 August 2022

Rape of the Lock by Alexander Pope

 1.) According to you, who is the protagonist of the poem Clarissa or Belinda? Why? Give your answer with logical reasons.

    

  The protagonist of the poem, Belinda is a wealthy and beautiful young woman who travels to Hampton Court for a day of socializing and leisure. Her remarkable beauty attracts the attention of the Baron, who snips off a lock of her hair in his infatuation.

      At the beginning of the narrative, Ariel explains to Belinda through the medium of a dream that as she is both beautiful and a virgin, it is his task to watch over her and protect her virtue—though as the poem unfolds, it’s unclear if Belinda is really as virtuous as she seems. Despite the fact that Belinda is Pope’s protagonist, she’s actually a bit of a slippery character to come to terms with, as the reader is provided with relatively little access to her inner thoughts, and her actions are often governed by supernatural forces. For instance, it is unclear how much influence Ariel, a sylph, is able to exert over her, and there is some suggestion that he actively toys with her morality. He claims it is her virginity which makes her worthy of guarding but sends her a dream of a handsome young man, “A youth more glitt'ring than a birthnight beau,” tempting her sexuality. Similarly, at the end of the poem, Umbriel, throws over her and Thalestris a bag of “Sighs, sobs and passions” and also empties a vial of “sorrows” over her too, meaning the rage she flies into is not entirely of her own volition. Fundamentally, as her name suggests with its literal meaning of “beautiful”, all readers can really know about Belinda is that she is attractive. The poem states that “If to her share some female errors fall, / Look on her face, and you'll forget 'em all”—in other words, she is so beautiful that those around her consider her basically exempt from any moral judgement, allowing Pope to satirize the idea Ariel suggests at the opening of the poem: that beauty and virtue always go hand in hand. Belinda is based on the real-life figure of Arabella Fermor, who also had a lock of her hair cut off by a suitor.

 2.) What is beauty? Write your views about it.

     

Beauty is commonly described as a feature of objects that makes these objects pleasurable to perceive. Such objects include landscapes, sunsets, humans and works of art.

The word "beauty" is often used as a countable noun to describe a beautiful woman.

The characterization of a person as “beautiful”, whether on an individual basis or by community consensus, is often based on some combination of inner beauty, which includes psychological factors such as personality, intelligence, grace, politeness, charisma, integrity, congruence and elegance, and outer beauty which includes physical attributes which are valued on an aesthetic basis.The concept of beauty in men is known as 'bishōnen' in Japan. Bishōnen refers to males with distinctly feminine features, physical characteristics establishing the standard of beauty in Japan and typically exhibited in their pop culture idols. A multibillion-dollar industry of Japanese Aesthetic Salons exists for this reason. However, different nations have varying male beauty ideals; Eurocentric standards for men include tallness, leanness, and muscularity; thus, these features are idolized through American media, such as in Hollywood films and magazine covers.

3.) Find out a research paper on "The Rape of the Lock". Give the details of the paper and write down in brief what it says about the Poem by Alexander Pope.

      

Alexander Pope’s The Rape of the Lock is a satirical epic poem, first published in 1712, and then revised and expanded in 1714. Alexander Pope is one of the foremost English poets of the 18th century, having translated Homer and moving in the same literary circles as Jonathan Swift. The Rape of the LockPope, however, suffered from Pott’s disease, which left him stunted and hunchback. Despite this disability, works such as The Rape of the Lock have made him second only to Shakespeare in the annals of English poets.

The Rape of the Lock is supposedly based on a real incident which Pope compares to the world inhabited by the gods. In the poem, the Baron seeks a lock of Belinda’s hair, hoping to place it on an altar of trophies he collects. In using classical structure and form, Pope satirizes what was essentially a minor disagreement, comparing the abduction of Helen of Troy to a suitor cutting off a lock of hair. Called high burlesque, the literary legacy of the poem is such that three of Uranus’ moons—Belinda, Umbriel, and Ariel—are named after characters in The Rape of the Lock.

The poem was originally published anonymously in May 1712, but after extensive revision appeared under Pope’s name two years later. Pope himself claimed that the work sold over three thousand copies in just the first four days. Pope also published A Key to the Lock in 1714 under the penname Esdras Barnivelt, a humorous piece that warns against anyone taking The Rape of the Lock seriously.

4.) Write your views about the significance of hair. Is it symbolic?

Long hair is a hairstyle where the head hair is allowed to grow to a considerable length. Exactly what constitutes long hair can change from culture to culture, or even within cultures. For example, a woman with chin-length hair in some cultures may be said to have short hair, while a man with the same length of hair in some of the same cultures would be said to have long hair.Males having short, cut hair are in many cultures viewed as being under society's control, such as while in the military or prison or as punishment for a crime. Long lustrous female hair is generally rated attractive by both men and women across cultures.The prevalence of trichophilia (hair partialism or fetishism) is 7% in the population, and very long hair is a common subject of devotion in this group.


Wordsworth's preface

What is the basic difference between the poetic creed of 'classicism'and 'Romanticism '?

       Classicism follow the three unities of time, place and action. Romanticism only follows the unity of action, but does not follow the unities of time, place. Classicism uses strict, rigid and logical diction and theme. Romanticism uses simple diction of common men from their everyday life.    I think we find vital difference between the classicism and Romanticism. Generally they are two ideologies classicism and Romanticism. But it is different.

  Classicism- intellect is the guiding force while romanticism - imagination is the guiding.

We find romantic poets they did not believe in any kind of restrained ruling. They believe in liberty and freedom. Here l write both different description ,

  Classicism :- The imitation primary of the style and aesthetic principles of ancient Greek and Roman classical art and literature. The term neoclassical is often used in referring to revivals of classicism.

Romanticism :- It is moment in the literature that lasted from about 1750 to about 1870 ,characterised by reliance on the imagination and subjectivity of approach , freedom of thought and expression and an idealization of nature.

Why does Wordsworth say 'what' is poet ?Rather than who is poet ?

            A poet is man speaking to men, a man, it is true, endued with more lively sensibility, more enthusiasm and tenderness.Wordsworth has greater knowledge of human nature through the emotions like observation, heightened. He also uses platonic, more comprehensive soul.

What is poetic diction? Which sort of poetic diction is suggested by Wordsworth in his Preface?

            Poetic diction means 'Choice of Word'- unique style of authors that he or she chooses his or her own language, which is understood by rustic people; who closure to reality and more genuineness the language should be natural not ornamental. Wordsworth's argument is that he is interested in writing poems in lyrical ballads. And the language "as really used by men". Wordsworth also answers to Coleridge that he finds humble and rustic life, a men who closer to reality or more genuineness. Wordsworth preferred rustic men rather than city dwells.

What is poetry?

Wordsworth's definition of poetry :

    " Poetry is the spontaneous overflow of powerful feelings it takes origin from emotion recollected in tranquility. "

Poetry is to teach moral lesson with a feeling of delight. It is to give instruction and delight by connecting people with the poet and his imagination.

Discuss 'Daffodils  

     

I wandered lonely as a cloud' with reference to Wordsworth's poetic creed..." I wandered as a lonely cloud....."

    Daffodils is the best example of Wordsworth's definition of poetry " poetry is a spontaneous overflow of a powerful feeling, recollected in tranquillity".

Many times, we capture beauty of nature by our eyes, but we cannot recollect and express that delight in tranquillity. Wordsworth does this amazingly. He enjoys the nature and represents it beautifully. We can say nature is at its best in this poetry. Delight of a particular moment and it's memory are represented all together.

Saturday, 20 August 2022

Romantic poets

1 Write about the purpose of the visit. 

    The purpose of the visit was to learn about the Romantic age and literature. Romantic period times how poets wrote their works. Most of these poets are writing about the beauty of nature. Most Poets and writers are writing about nature. So,the visit is knowing and enjoying nature's beauty. 


2  Write about "how nature can influence the soul "

   


3 share your experience. 

  20th July 2022 we were visiting the Victoria Park 🏞. 


Best moments 


Playing with friends 



Friends 



Thursday, 18 August 2022

ThAct:Macbeth

* Feminist reading of Lady Macbeth
      
    

 In Women’s Worlds in Shakespeare Plays, a Lady Macbeth torn between ideals of morality and power. Lady Macbeth desires to renounce her sex and powerlessness and in the process has to renounce morality, which she ultimately cannot follow through on. In the beginning of the play, she believes that she the strong figure in her union. However, she is only attempting to deny the double standard that she’s been subjected to: the subservient and obedient woman versus the creature of morality, taking a stand for what is right. Lady Macbeth finds the classical concept of femininity repulsive, but cannot deny womanhood without denying morality as well. Unfortunately, neither of her desires can carry through: she in unable to commit the initial murder herself because the sleeping king reminds her of her father. In this, she exhibits tenderness as well as a moral code. Still, in the beginning of the work she appears to be a strong, masculine figure, but, by the end of the play, resorts to mothering her husband, who, after the desired gaining power, no longer needs to regard her. As Dash says, “Lady Macbeth’s tragedy [is the] futility of her attempt to move into the wale world, and, having adopted her moral standards, her ever-increasing isolation from him” 
       Lady Macbeth finds the classical concept of femininity repulsive, but cannot deny womanhood without denying morality as well. Unfortunately, neither of her desires can carry through: she in unable to commit the initial murder herself because the sleeping king reminds her of her father.
       Lady Macbeth presents herself as her husband’s collaborator, rather than as a being with her own self-interests. Because her identity is based upon her conceptions of manliness, she serves to block Macbeth’s exits from the world of men, when she should be offering alternatives to it. The character of Lady Macduff is, however, able to fulfill this role for her partner. She is hostile towards her husband’s public life when it takes him away from his family, being first concerned with his obligation to the home. In this way, she can appear to be a demanding and critical wife. However, by being the Other to Macduff’s Self, her death invokes a paralyzing disbelief in her husband, and he seeks revenge for her death. Contrarily, Macbeth simply shrugs off the suicide of a woman whom he had only weeks before called his “dearest partner of greatness” . Lady Macbeth was an empty figure, offering no feminine balance for Macbeth, and hence he has lost nothing in her death .Mabeth’s death does not resonate with the viewer because by the end of the play, he has simply exhausted all of his options, as there has been no Other to oppose him. Macbeth continues to be a murderer throughout the course of the play; his problems don’t change nor do they develop. His wife fails in provoking any sort of true passion within him, and ultimately, even his death exhausts the audience .
    Lady Macbeth was a ruthless person, and no one expected it because in the play they don’t associate women with evil characteristics, she demonstrates this when she continuously insults her husband. For example, when Macbeth changes his mind about killing Duncan, Lady Macbeth scolds him by insulting his masculinity and persuades him by saying that he owes it to her to kill Duncan. Lady Macbeth would go to lengths just to become royalty, even if her husband’s dignity is on the line because she persuades him to kill by challenging his manhood, which is ultimately destroying his dignity. With this in mind, usually in relationships the partner supports one another no matter what and, in this case, Lady Macbeth is power hungry, so to achieve her power she is ruthless towards Macbeth. In addition, Lady Macbeth shows her ruthless personality, when she says “I would…Have plucked my nipple from his boneless gums/ and dashed the brains out, had I so sworn as you/ Have done to this”
 
* A study of Film Adaptataions of Macbeth 
        

       Shakespeare’s Macbeth has been staged in widely different versions and adapted into numerous films. Every time, actors and directors have presented their take on Shakespeare’s tragedy about crime and consequence. Over the centuries, the play has been adapted to the tastes of the day. Some modern staged versions have been rather experimental, for instance one using only black actors and set in Haiti. Film adaptations vary just as much, and some of the more sensational modern ones include a comedy-thriller set in a fast-food restaurant, a Bollywood adaptation, and a mafia-inspired one set in the Australian underworld.

In any case, you should pay attention to how the director has decided to portray controversial elements like the role of women or the supernatural. For instance, some have chosen to show the floating dagger and Banquo’s ghost to the audience while others have left it out (the latter underlines Macbeth’s paranoia). Furthermore, some adaptations stay loyal to the original lines of the ...Macbeth, 1948,Director: Orson Welles
Notable cast: Orson Welles, Jeannette Nolan
This black-and-white film features some minor changes to the original play along with significant edits. Welles increased the purpose and presence of the three Witches in the movie to play up the conflict between early Christianity and pagan beliefs in Scotland. Welles also emphasized the violence of the story: the film depicts Lady Macbeth’s suicide and the final battle that ends with Macbeth’s beheading by Macduff. Welles also wanted all of the characters to speak with authentic Scottish accents, but the studio that produced the film insisted that the voices be dubbed after the film was completed.Macbeth, 1972,Director: Roman Polanski,Notable cast: John Finch, Francesca Annis.This R-rated film of the play features a nude sleepwalking scene by Lady Macbeth and plenty of on-screen violence. Polanski also emphasizes the passage of time – the events of play span several years, and the Macbeths visibly age over the course of the movie.Macbeth, 2010,Director: Rupert Goold
Notable cast: Patrick Stewart, Kate Fleetwood.Patrick Stewart, better-known to many as Captain Jean-Luc Picard on Star Trek, stars in this adaptation of a well-received stage production of the play. Director Goold sets the action in purgatory, making the story a cautionary tale about the dangers of ambition.Macbeth, 2015,Director: Justin Kurziel,Notable cast: Michael Fassbender, Marion Cotillard.This recent adaptation was filmed in Scotland, and opens with the funeral of the Macbeth’s dead son. This plot device links the couple’s thirst for power to their grief over losing their child, and makes the couple initially sympathetic to the audience.
       
   

Monday, 15 August 2022

Thinking Skills - workshop



On 13-August 2022,We had a workshop about Thinking Skills.It was arranged by our department. Mr.Milan Pandya sir who has worked in Thinking Skills.
    On Saturday he also said that thinking is part of life skills. Thinking means being critical and creative on any concerns in all aspects. He gave three concepts in Thinking like Logical, Rational, Scientific. 
   "Thinking about thinking in order to improve thinking. "He saw different dimension pictures and discussed all the views given by us.
 How do we become creative? 
      First we should read any object and then put our own experiences and summarize the concept then we are thinking about it .So , when he saw any pictures on screen we were criticising and giving our own points about it.
      He said,' If something is true what has to be true? In this sentence he said ,Indian 's history about 1947 and that time freedom fighters' power or political life of the government. He also said a story of a thousand one night 🌃. This story is really interesting. 
       Sir 's favorite quote is ,"Your teacher might be wrong, learn to think for yourself. "
                -Tao Te Ching ,by Lao Tzu600Bc
   On Sunday ,
        Milan Pandya sir gave some information about children's mind , how it's creative and they are part of the culture or intellectuals in society and they react with their feelings on any matters. Thinking has to always be new and add value in context. It's more important. 
When we showed many objects in one picture in different categories like food, kitchen items, vehicles, art's things, technical tools, space, ground etc..then in another category like idioms, phrases . In English Literature also connects with these objects. When sir saw another picture that time we see first and wrote two or three sentences but these sentences are not useful in daily life but creatively answered. 
  I have learned in a workshop. Whenever I read any book , first I will see it then summarize and after I write thinking about it creatively. 



Sunday, 14 August 2022

Thinking activity - Pride and Prejudice

Which version of the novel is more appealing ? Novel or film(adaptataion) ? Why? 
        
       Film on Pride and Prejudice is more appealing because people are more likely than books reading. In film ,the film maker also uses many plot, designing of dresses, makeup,background, emotions, entertainment etc..In this film I see that naturally background when Elizabeth and Mr.Darcy were meeting in last movement. So,I like really film.

Character of Elizabeth. 
        
  •     Elizabeth Bennet is the protagonist in the 1813 novel Pride and Prejudice by Jane Austen.
  •     Elizabeth is the second child in a family of five daughters.
  •     Elizabeth wishes to marry for love.
  •     Elizabeth Bennet is hold ,intelligent and independent,with a witty sense of humor.
  •     Her admirable qualities are numerous,She is lovely , clever and in a novel defined by dialogue,She converses as brilliantly as anyone.
  •      Her honesty, virtue and lively wit enable her to rise above the nonsense and bad behavior that pervade her class-bound and often spiteful society. 
      While she navigates familial and social turmoil As she gradually comes to recognize the nobility of Darcy's character.,she realizes the error of her initial prejudice against him. 
Character of Mr.Darcy 
  •        He is an archetype of the aloof romantic hero, and a romantic interest of Elizabeth Bennet, the novel's protagonist.Usually referred to only as "Mr. Darcy" or "Darcy" by characters and the narrator, his first name is mentioned twice in the novel.
  •  Darcy is a very arrogant man of England's upper crust. 
  • He is lord of Pemberley, an expensive estate located in the county of Derbyshire. 
  • He is fairly tall and handsome, but his demeanor is unfriendly, aloof, and unapproachable. 
  • He has a sister, Georgiana, who adores him, and the feeling is mutual.
  • Intelligent and forthright, he too has a tendency to judge too hastily and harshly, and his high birth and wealth make him overly proud and overly conscious of his social status.
  • when he goes against the wishes of his haughty aunt, Lady Catherine de Bourgh, by continuing to pursue Elizabeth. Darcy proves himself worthy of Elizabeth, and she ends up repenting her earlier, overly harsh judgment of him.

Give illustrations of the society of that time
    
        Mrs. Bennet’s idiocy, and Wickham’s deceit. In each case, anxieties about social connections, or the desire for better social connections, interfere with the workings of love. Darcy and Elizabeth’s realization of a mutual and tender love seems to imply that Austen views love as something independent of these social forces, as something that can be captured if only an individual is able to escape the warping effects of a hierarchical society.

If you were director or screenplay writer, what sort of difference would you make in the making of movie ?
      
       If  I was director or screenplay writer, I put that Elizabeth and Mr.Darcy were going on date and time spent .

Who would be your choice of actors to play the role of characters? 

Elizabeth- Karina Kapoor 
Mr.Darcy- Viki kaushal
Mr.Bingley - Shahrukh khan 
Jane - Rani Mukerji 
Mr.collins - Salman Khan
Wickham - Ranveer Sinh

Thinking Activity: P-5/U-1 - Age of Chaucer to Elizabeth

  Write in brief about Chaucer or Edmund Spencer or Ben Jonson or Francis Bacon or on any one of their works                 

 Brief about Ben Jonson and his works                                          



There was never a great genius without a touch of madness.” ...                                  

 LIFE           

 Ben Jonson was born in c.11 june 1572 in westminster in England and died in c.16 august 1637 at London,England. Ben Jonson was an English playwright and poet. Jonson's artistry exerted a lasting influence upon English poetry and stage comedy. He popularised the comedy of humours. He is best known for the satirical plays every man in his Humour (1598) , Volpone or The Fox(c.1606),The Alchemist(1610) and Bartholomew Fair(1614) and for his lyric and epigrammatic poetry.             

  "He is generally regarded as the second most important English dramatist,after William Shakespeare, during the reign of James 1 ."

           On leaving Westminster School,Jonson was to have attended the university of Cambrige. to continue his book learning but did not, because of his unwilled apprenticeship to his bricklayer stepfather.According to the churchman and historian Thomas Fuller(1608-61). Jonson at this time built a garden wall in Liccoln's inn.After having been an apprentice bricklayer,Ben Jonson went to the Netharland and volunteered to soldier with the English regiments of Francis vere(1560-1609) in Flanders.

works

The Alchemist
         The Alchemist is one of Ben Jonson's four great comedies. The earliest recorded performance of the play occurred in Oxford in 1610. It was also entered into the Stationers' Register in this year, though it might have been written and performed...
Cynthia's Revels
           Cynthia’s Revels is an allegorical comedy written by Ben Jonson. First performed in 1600, it was published in printed form the next year. The work is an example of plays produced as part of the War of the Theaters. The theaters in question were...
Every Man in his Humour
             Of Jonson's works, the satires are some of his most well-known. Every Man in His Humour was written in 1598 and was the first of his many "humour plays." Following Every Man in His Humour was a sequel, Every Man Out of His Humour. Though the first..
Bartholomew Fair
            Interestingly, the very first performance of Ben Jonson’s Bartholomew Fair was on Halloween. Of course, it is imperative to realize that Halloween wasn’t the same in 1614 as it is today. Even so, Ben Jonson—who briefly enjoyed stature as a..
Epicene, or the Silent Woman 
           Epicœne, or The Silent Woman, commonly referred to now simply as Epicene, is a comedy by early modern English playwright Ben Jonson. It was originally performed in 1609 by The Blackfriars Children but did not become popular until many years later,..
The Masque of Blackness
             As part of his 1605 commission to produce and entertainment for the Twelfth Night celebration, Ben Jonson, working in close collaboration with noted architect Inigo Jones as the scenic designer, produced the Masque of Blackness. King James...
Volpone
      Volpone was published first in 1607 as a quarto and then in 1616 as part of Jonson's collected Workes. In the later edition, the date of the first performance of Volpone is listed as 1605. However, many scholars speculate that the first..

The Alchemist



The Alchemist, comedy in five acts by Ben Jonson, performed in 1610 and published in 1612. The play concerns the turmoil of deception that ensues when Lovewit leaves his London house in the care of his scheming servant, Face. With the aid of a fraudulent alchemist named Subtle and his companion, Dol Common, Face sets about dispensing spurious charms and services to a steady stream of dupes. These include the intemperate knight Sir Epicure Mammon, the pretentious Puritans Ananias and Tribulation Wholesome, the ambitious tobacconist Abel Drugger, the gamester law clerk Dapper, and the parvenu Kastril with his widowed sister, Pliant. The shrewd gambler Surly nearly exposes the sham by posing as a Spanish don seeking the hand of Pliant, but the gullible parties reject his accusations. When Lovewit reappears without warning, Subtle and Dol flee the scene, leaving Face to make peace by arranging the marriage of his master to the beautiful and wealthy Dame Pliant.

Thinking activity - For Whom the Bell Tolls

Yesha Bhatt, ma'am, has been given the task of this blog. I'm responding to one question.  What is the attitude of Robert Jordan tow...